To have gone to the 2019 Venice Biennale! Why? Because I got to see an exhibit by AfriCobra (African Commune of Bad Relevant Artists), the black artists’ collective formed in Chicago in 1968. When I taught at Howard University in the late 70’s, I worked with a number of the founding members who had created a black aesthetic to supplant demeaning stereotypes found in mainstream white culture. Their work was arresting, fresh, and technically superb, but to some extent, ignored — certainly by the mainstream art establishment. That certainly didn’t faze them and this group is still going strong and is considered to be the longest continually active artist collective/commune in the United States.
I almost jumped for joy when I saw AfriCobra listed on the official program. The Biennale has grown so large that many countries’ exhibits and collateral shows have to be housed outside the main grounds of I Giardini and L’Arsenale. But no matter. The prestigious Ca’ Faccannon displayed it and Christie’s Auction House described it as one of five “must-see exhibitions at the 2019 Venice Biennale.” How’s that for these extraordinary artists finally getting their due! Here’s a smattering of what was on display except for the last image which, I’m happy to say, is only on view in my home.
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